The graphic user interface is designed by Bitplant, who also developed interfaces for Propellerheads' original Reason, Arturia's CS80V and Cakewalk's Project 5 PSYN synths, and who seem to have the knack of creating workmanlike interfaces that are stylish, yet easy to get to grips with.Įach Alchemy voice starts life as between one and four sources, each of which can then be passed through up to three filters before entering the main pair of filters, and finally the effects stage. Once you switch to the Advanced interface, the rest of Alchemy's controls appear, yet, despite the huge amount on offer, you never feel overwhelmed. You can even switch between Remix pads using keyswitches on your MIDI controller keyboard. Each preset therefore expands to become a whole area of sonic exploration, and as you drag the 'target' with your mouse over each pad, the controls all smoothly morph from one snapshot to another. The latter are a revelation, since each one stores a different snapshot of all 16 Performance control settings. A set of dedicated ADSR buttons for final tweaks and a set of eight Remix pads complete the controls. This has sounds sorted into convenient banks such as Arpeggiated, Bass, Leads, Pads and so on, and also Load, Save, and Random buttons - the last a Camel Audio speciality that creates a new preset each time you click on it.īelow this are the Performance controls, with eight knobs that can be assigned to any of the deeper parameters, and two X‑Y pads, each in charge of two more functions, so you can perform live twin‑parameter sweeps or record automated ones. For the casual preset dabbler, the Simple interface removes the in‑depth controls, leaving the title bar with its easy‑to‑use preset selector. Plenty of effort has been put into making Alchemy easy to play and flexible during live performance. The Simple interface is ideal for preset browsers and live performance, offering real‑time performance controls and smooth morphing between the eight snapshots of the Remix Pad. Video of Muse Research MuseBOX - NAMM 2010 Live & Kicking Alchemy also ships with a 2GB sample library and a collection of 300 presets, but many more are promised for the months to come. Its extremely powerful engine will be great news to those who like to dive in at the deep end of synthesis, and morph and manipulate their own unique sounds, but Camel Audio have included easy‑to‑use performance controls and 'remix pad' variations for those who favour instant gratification.
#Camel audio alchemy vst download software
Operating as a VST or Audio Units plug-in and going way beyond Cameleon, Alchemy not only features additive synthesis, but also spectral and granular synthesis and resynthesis, and sample import, along with the more typical virtual analogue engine found in most other software synths (although this one offers up to 600 voices and can be used in unison mode for the fattest sounds imaginable!). After four years of development, with a team of six programmers and 25 sound designers, we finally see the release of Alchemy. Apart from some updates to existing products, and a series of well‑received Soundbanks for third-party products such as NI's Absynth and Massive, little seemed to be happening. After making a name for themselves with plug‑ins such as CamelPhat and CamelSpace, and then wowing us with their Cameleon 5000 additive synthesizer - which was impressive enough to warrant a big review in the April 2004 issue of SOS - we've not heard a great deal from them. Things have been a little quiet on the Camel Audio front of late. Let's find out what it is that sets Alchemy apart from the soft-synth crowd. Add-on preset banks in development.Īdvanced resynthesis engines help keep the library small.Truly original and innovative software is a rare thing these days, but Camel Audio's latest is exactly that. Virtual Analog Synthesizer, Spectral Synthesizer, Granular Synthesizer, Flexible Modulation Over 14GB of samples and analysed content from in-house designers Tim Conrardy and Biomechanoid, as well as designers such as Ian Boddy, Robert Rich, Scott Solida and Nucleus SoundLab.
Many years of dedicated sampling sessions of both unusual creative material such as the sound of chewing polystyrene to more conventional sampling of numerous acoustic instruments and voices. Over 2000 presets covering everything from pads and soundscapes to keys, basses and leads designed by many of the worlds top sound designers including Junkie XL, John Lehmkuhl, Ian Boddy, Richard Devine, Big Tone, Arksun, Beej, Summa, Xenox, Tasmodia, Paul Nauert, Christian Kjeldsen, Rory Dow, Artvera, Pendle, Dangerous Bear, Biomechanoid and Tim Conrardy.
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